Information on Rodney Kennedy

Rodney Eric Kennedy, born on August 20, 1909, in Dunedin, New Zealand, was a multifaceted figure who left a significant mark in the realms of art and drama. His journey was one characterized by artistic passion, a strong commitment to pacifism, and a personal life interwoven with relationships that were emblematic of the complex social narratives of his time.

Kennedy's artistic endeavors began in earnest when he enrolled at the Dunedin School of Art in 1926. It was here that he immersed himself in the evolving art scene, influenced by post-impressionism. His encounter with Toss Woollaston in 1932 was a turning point, marking the beginning of a profound relationship. Depending on the source, their relationship has been described as a romantic partnership or a deep friendship. Woollaston, who later moved to Nelson, became a pivotal figure in Kennedy's life, with Kennedy spending his summers in Nelson, engaging in both fruit picking and painting.

This period was not just about art for Kennedy. He was also forging his path in the world of drama. He developed a keen interest in theatre while working at the University of Otago Medical School, starting as an illustrator. His involvement with the Workers' Educational Association (WEA) and the Left Book Club further deepened his engagement with the theatrical world. By 1938, he had already made his mark in theatre, designing sets for productions such as Karel Čapek's "Insect Play."

Kennedy's artistic and personal life was deeply influenced by his stance as a pacifist. During World War II, he made a bold statement by refusing military service, a decision that led to his imprisonment. Despite this challenging time, Kennedy's commitment to drama didn't wane; he produced plays even while in detention camps.

Post-war, Kennedy's contributions to New Zealand's art and drama scenes continued to grow. He became a central figure among the young avant-garde artists of his time, championing works by notable artists like Colin McCahon. His reviews and art collections, often in collaboration with others, significantly influenced New Zealand's art collection and curation. His tour of Europe in 1955 as a delegate at an international theatre conference further underscores his commitment to and influence in the drama scene.

In the later years of his career, Kennedy moved into drama education, taking up a role as a drama tutor at the University of Otago. His influence extended beyond the university, particularly after his retirement, as he took on the directorship at Dunedin's Globe Theatre. His legacy in the world of drama is marked by his contributions to modern drama, especially in the Otago region.

Kennedy's personal life, particularly his relationship with Woollaston, offers an intriguing glimpse into the social and cultural dynamics of his time. Their bond, whether romantic or platonic, was a significant aspect of Kennedy's life and work. His experiences as a homosexual man during a period when such identities were not openly accepted or understood add a layer of complexity to his story.

Kennedy passed away on October 14, 1989, in Dunedin, leaving behind a legacy that encompasses significant contributions to New Zealand's art and drama landscapes.