MGLC and GALS - The Anzac Anthem “Trans-Tasman Concert” GALS Concert, AGS Centennial Theatre, Sat 9 and Sun 10 October 2004 GALS concerts always give us a lot more than just the music. From the moment we walked into the auditorium, the stark, striking, simple stage-set reminded us that this was a truly Trans-Tasman event, with backdrop images of the Victorian Arts Centre spire and the Auckland Skytower symbolising the joint endeavour. As if to help focus our attention on the set and its significance, the opening “E Tu Matua” was performed by GALS off-stage. And the three closing numbers of the first half were also, appropriately, settings of Maori text with music by legendary kiwis, Herbs, David Hamilton and Alfred Hill. To top it all off, local guest artists Buffy and Bimbo gave us a convincing poi performance during “Tarakihi”. It was fantastic to see them demonstrating another, more earnest, string to their bow, delegating the art of derision to compere David Steemson. (Who couldn't resist a chuckle at his barbs at ousted mayor John Banks and the pastor of the “Density” Church?)! Special congratulations, too, to the GALS conductors and accompanists. Representing New Zealand in every respect, the GALS' Musical Directors had chosen their programme superbly, even conceding to their guests the “Three Australian Bush Songs”, beautifully enhanced by composer Iain Grandage with vocal sound effects of snakes and kookaburras. I also particularly liked Margaret Robertson's decision to lead “E Papa Waiari” from the side with a simple foot-stamp. By contrast, Adrian Kirk, utilising his outstanding keyboard skills, directed the Melbourne Gay and Lesbian Chorus mostly from the piano, with great sensitivity. Their repertoire for this second half, entirely Elton John music, was performed completely from memory affording it a vitality all of its own. Their interpretation of “Your Song” was particularly evocative. Bimbo, Tim (Dame Edna) and Buffy Tim Bray's brilliant portrayal of Dame Edna – complete with a designer frock depicting the New Zealand landscape in the best of bad taste – created a distinctive Australian setting for this second half. Mark Rosser's little gem, “The Anzac Anthem”, using all the Australasian choristers in a visual kaleidoscope of green, gold and other appropriate colours and embellishments, closed the concert with a single musical item that skilfully merged all things Oz and Kiwi. Jack East - 16th October 2004